Herbie Hancock 5 LP Lot-Head Hunters,Thrust,Man-Child,VSOP Jazz/Funk Vinyl NM

End Price: USD 42
Start Price: USD 10
End Date: 2016-12-10
Start Date: 2016-12-03

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Number of bids: 24
Country: USA
Auctioned at:     ebay

Herbie Hancock 5 LP Lot-Head Hunters,Thrust,Man-Child,VSOP Jazz/Funk Vinyl NM

Record Size 12"
Duration LP
Speed 33RPM
Genre Jazz
Style Bebop Electric Jazz Jazz Rock
Record Grading Near Mint (NM or M-)
Sleeve Grading Excellent (EX)
Artist Herbie Hancock

Herbie Hancock ?– Head Hunters

Label:Columbia ?– KC 32731Format:Vinyl, LP, Album 
Country:USReleased:1973Genre:Electronic, JazzStyle:Jazz-Funk

Tracklist Show Credits

A1Chameleon15:41A2Watermelon Man6:29B1Sly10:18B2Vein Melter9:10

Companies, etc.

  • Phonographic Copyright (p) – CBS Inc.
  • Produced For – David Rubinson And Friends, Inc.
  • Recorded At – Wally Heider Studios
  • Recorded At – Different Fur Studios
  • Published By – Hancock Music
  • Manufactured By – Columbia Records

Credits

  • Congas, Shekere, Balafon, Agogô, Cabasa, Whistle [Hindewho], Tambourine, Drums [Log Drum], Surdo, Bells [Gankoqui], Percussion [Beer Bottle] – Bill Summers
  • Design [Cover] – Victor Moscoso
  • Drums [Yamaha] – Harvey Mason
  • Engineer [Recording, Wally Heider] – Fred Catero, Jeremy Zatkin
  • Management [Artist] – Adamsdad Management Co.* 
  • Marimbula, Electric Bass – Paul Jackson (2)
  • Photography By – Waldo Bascom
  • Producer – David Rubinson, Herbie Hancock
  • Recorded By [Different Fur] – Dane Butcher, John Vieira
  • Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Flute [Alto] – Bennie Maupin
  • Synthesizer [Arp Odyssey, Arp Soloist], Electric Piano [Fender Rhodes], Clavinet [Hohner D 6], Pipe [Pipes] – Herbie Hancock

Herbie Hancock ?– Thrust

Label:Columbia ?– PC 32965Format:Vinyl, LP, Album 
Country:CanadaReleased:1974Genre:Jazz, Funk / SoulStyle:Fusion, Jazz-Funk

Tracklist 

A1Palm Grease10:34A2Actual Proof9:41B1Butterfly11:18B2Spank-A-Lee7:11

Companies, etc.

  • Produced For – David Rubinson And Friends, Inc.
  • Recorded At – Wally Heider Studios

Credits

  • Cover – Rob Springett* 
  • Drums – Mike Clark (2)
  • Electric Bass – Paul Jackson (2)
  • Electric Piano [Fender Rhodes], Clavinet [Hohner D-6], Synthesizer [Arp Odyssey, Arp Soloist, Arp 2600, Arp String] – Herbie Hancock
  • Engineer [Recording Engineer] – Fred Catero
  • Percussion – Bill Summers
  • Producer – David Rubinson, Herbie Hancock
  • Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute – Bennie Maupin
  • Written-By – Bennie Maupin (tracks: B1), Herbie Hancock, Mike Clark (2) (tracks: B2), Paul Jackson (2)(tracks: B2) 

Herbie Hancock ?– Man-Child

Label:Columbia ?– PC 33812Format:Vinyl, LP, Album 
Country:USReleased:1975Genre:JazzStyle:Jazz-Funk

Tracklist 

A1Hang Up Your Hang Ups7:28A2Sun Touch5:10A3The Traitor9:37B1Bubbles9:01B2Steppin' In It8:41B3Heartbeat5:16

Companies, etc.

  • Recorded At – Wally Heider Studios
  • Phonographic Copyright (p) – CBS Inc.
  • Copyright (c) – CBS Inc.
  • Manufactured By – Columbia Records
  • Manufactured By – CBS Inc.
  • Pressed By – Columbia Records Pressing Plant, Pitman

Credits

  • Art Direction – Ren Deaton Productions* 
  • Artwork [Cover] – Dario Campanile
  • Bass – Henry Davis, Louis Johnson, Paul Jackson (2)
  • Drums – Harvey Mason, James Gadson, Mike Clark (2)
  • Engineer – David Rubinson, Fred Catero, Jack Leahy
  • Guitar – David T. Walker, Blackbird McKnight* 
  • Harmonica – Stevie Wonder
  • Mastered By – George Horn, Phil Brown
  • Percussion – Bill Summers
  • Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock
  • Producer – David Rubinson & Friends, Inc., Herbie Hancock
  • Saxophone, Flute – Ernie Watts, Jim Horn
  • Soprano Saxophone – Wayne Shorter
  • Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Flute [Bass And Alto] – Bennie Maupin
  • Trombone – Garnett Brown
  • Trumpet – Bud Brisbois, Jay DaVersa
  • Tuba, Bass Trombone – Dick Hyde


Herbie Hancock ?– V.S.O.P.

Label:Columbia ?– PG 34688Format:2 × Vinyl, LP, Album 
Country:USReleased:1977Genre:JazzStyle:Fusion

Tracklist Show Credits

A1Piano Introduction4:32A2Maiden Voyage13:18A3Nefertiti5:17BIntroduction Of Players/Eye Of The Hurricane18:35C1Toys14:00C2Introductions1:47C3You'll Know When You Get There7:00D1Hang Up Your Hang Ups11:54D2Spider10:12

Companies, etc.

  • Mixed At – The Automatt
  • Copyright (c) – CBS Inc.
  • Phonographic Copyright (p) – CBS Inc.
  • Manufactured By – Columbia Records

Credits

  • Art Direction – John Berg
  • Bass – Mchezaji Buster Williams* (tracks: C1 to C3), Ron Carter (tracks: A1 to B) 
  • Coordinator [Tour Planning & Coordination] – Bill Allen (4)
  • Design – John Coll
  • Design [Package Coordinator] – Herbie Greene* 
  • Drums – Tony Williams* (tracks: A1 to B), Jabali Billy Hart* (tracks: C1 to C3), James Levi (tracks: D1, D2) 
  • Electric Bass – Paul Jackson (2) (tracks: D1, D2) 
  • Electric Piano [Rhodes, Yamaha Electric Grand Piano], Clavinet [Hohner D6] – Mwandishi Herbie Hancock* (tracks: C1 to C3) 
  • Electric Piano [Rhodes, Yamaha Electric Grand Piano], Synthesizer [Arp Odyssey, Arp String Ensemble], Clavinet [Hohner D6], Synthesizer [Micro-moog, Oberheim Polyphonic Synthesizer, Echoplex, Countryman Phase Shifter, Cry Baby Wah Wah] – Herbie Hancock (tracks: D1, D2) 
  • Electric Piano [Yamaha Electric Grand Piano] – Herbie Hancock (tracks: A1 to B) 
  • Engineer – David Rubinson, Fred Catero
  • Engineer [Assistant Live Audio] – Fundi (2)
  • Engineer [Assistant] – Chris Minto
  • Engineer [Live Audio] – Bryan Bell
  • Flute [Alto] – Mwile Bennie Maupin* (tracks: C1 to C3) 
  • Guitar – Ray Parker Jr. (tracks: D1, D2) 
  • Guitar, Synthesizer [Maestro Universal Synthesizer System, Maestro Sample & Hold], Talkbox [Voice Bag] – Wah Wah Watson* (tracks: D1, D2) 
  • Liner Notes – Herbie Hancock
  • Management [Road Manager] – Vincent Lynch
  • Mastered By – George Horn, Paul Stubblebine
  • Percussion – Kenneth Nash (tracks: D1, D2) 
  • Producer – David Rubinson & Friends, Inc.
  • Producer [Associate] – Jeffrey Cohen
  • Tenor Saxophone, Soprano Saxophone – Wayne Shorter (tracks: A1 to B) 
  • Tenor Saxophone, Soprano Saxophone, Lyricon – Bennie Maupin (tracks: D1, D2) 
  • Trombone [Tenor, Bass] – Pepo Julian Priester* (tracks: C1 to C3) 
  • Trumpet – Freddie Hubbard (tracks: A1 to B) 
  • Trumpet, Flugelhorn, Effects – Mganga Eddie Henderson* (tracks: C1 to C3) 

Notes

The occasion for these recordings was a special concert presented on June 29, 1976 at New York's City Center, by George Wein as part of the Newport Jazz Festival. Originally termed a "Retrospective of The Music of Herbie Hancock" its purpose was not so much to pay tribute to one musician, but to enable a group of great musicians to get together and play. 



All Vinyl & Covers are Visually & Conservatively Graded Under Bright Lights using the Goldmine Grading System Standards

MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.

NEAR MINT (NM OR M-)
A good description of a NM record is ?it looks like it just came from a retail store and it was opened for the first time.? In other words, it?s nearly perfect. Many dealers won?t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any ?spindle marks? from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don?t have to be ?never played?; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

  • Very Good Plus (VG+)    

    A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. 

    Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". 

    The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 

    Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. 

  • Very Good (VG)   Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. 

    Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. 

    Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.

  • Good (G), Good Plus (G+)   Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). 

    A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. 

    It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

  • Poor (P), Fair (F)  The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon. 


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